The Kamov Arist-in-Residence program provides artists with a space for inspiration, research and experiment in a new environment, giving them time and support to conceptualize and develop their ideas and projects. The program is conceived as a place of stay for creative individuals working primarily in the field of visual arts, literature and performing arts who are not residents of Rijeka. Creators in residence have the obligation to present themselves to the Rijeka public through various activities – lectures, workshops, exhibitions, etc. It is founded by the Department of Culture of the City of Rijeka, coordinated by the Museum of Modern and Contemporary Art, and partnered by City Library Rijeka and Croatian Cultural Centre Sušak. [Photo byTanja Kanazir]
Hackn3t is an online and physical residency program with the goal of showing the everyday practice of (digital) (new) media artists, coders or other tech creatives. Everyone is invited to apply with performances, artist talks, lectures, workshops that will take place on hacklab01’s own infrastructure and will be archived on the web under a permissive licence or presented in the physical venue of klub MaMa in Zagreb. Grants (artist fees) are awarded for each residential stay. The amount depends on the type of engagement and the duration of the residency. As we do not want to limit the formats but to encourage the diversity of applications, please specify the desired fee in your application. Hacklab01 is a project by AKC Attack and Format C art org, financially supported by the Ministry of Culture of the Republic of Croatia, the "Kultura Nova" Foundation and the City of Zagreb.
Res Artis: Worldwide Network of Arts Residencies is a 30 year old network of arts residency, and the network comprises more than 650+ vetted Members in over 80 countries.
organized by DuchCulture and it aims to combine and share knowledge and experience on artist-in-residence programmes and other international opportunities for creative professionals to temporarily stay and work elsewhere.
